|
|
RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
|
|
|
|
|
Painting ID:: 55688
The virgin mary
mk243
1511-1512
Oil on canvas
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 55689
Portrait of Yoliersi
mk243
1512
107x80cm
Oil on board
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 55690
The virgin mary and younger John
mk243
1514
66x51cm
Oil on canvas
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 55691
Psychic and angel
mk243
1514-1515
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 55692
The virgin mary in the chair
mk243
1514
Oil on board
|
|
|
|
|
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
. Related Artists to RAFFAELLO Sanzio: | Pierre etienne theodore rousseau | HEYDEN, Jan van der | Pearson, Joseph Jr. | Pieter Cornelis (Piet) Mondriaan | Cosimo Rosselli |
|
|
