|
|
Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
|
|
|
|
|
Painting ID:: 26815
Filippo Lippi,Stories of St John the Baptist:the Banquet of Herod
1452--1465
detail Prato,Duomo (mk57)
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 26817
Filippo Lippi,Adoration of the Magi
c 145
Washington,National Gallery of Art (mk57)
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 26818
Adoratio of the Magi
c 1465
London National Gallery
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 26819
Madonna and Child with St John and two Saints
1468--1469
Florence,Galleria dell'Accademia (mk57)
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 26820
Madonna and Child or Madonna of the Rose Garden
c 1470
Florence,Galleria degli Uffizi (mk57)
|
|
|
|
|
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
. Related Artists to Sandro Botticelli: | BOSSCHAERT, Jan-Baptist | Salomon de Bray | DALEM, Cornelis van | Baur,Johann Wilhelm | Charles-Francois de la Croix |
|
|
