Bartolome Esteban Murillo Oil Painting Reproduction


All Bartolome Esteban Murillo Oil Paintings


 

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Bartolome Esteban Murillo
Spanish 1618-1682 Bartolome Esteban Murillo Galleries Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception. After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.



Bartolome Esteban Murillo Francis Xavier oil painting artist
  Painting ID::   93271
Francis Xavier
c. 1670(1670) Medium oil on canvas cjr


 

 

 

 

 

 

 

 

Bartolome Esteban Murillo Christ after the Flagellation oil painting artist
  Painting ID::   94036
Christ after the Flagellation
oil on canvas 127 x 146 cm cjr


 

 

 

 

 

 

 

 

Bartolome Esteban Murillo Dolorosa Madonna oil painting artist
  Painting ID::   94897
Dolorosa Madonna
oil on canvas, 166 x 107 cm., Museo de Bellas Artes de Sevilla Date circa 1665 cyf


 

 

 

 

 

 

 

 

Bartolome Esteban Murillo Joseph and Potiphars Wife oil painting artist
  Painting ID::   95454
Joseph and Potiphars Wife
between 1640(1640) and 1645(1645) Medium oil on canvas cyf


 

 

 

 

 

 

 

 

Bartolome Esteban Murillo Old Woman and Boy oil painting artist
  Painting ID::   95455
Old Woman and Boy
1650s Medium oil on canvas cyf


 

 

 

 

 

 

 

 


       Prev  38  39  40  41  42  43  44  45   Next
Prev Artist       Next Artist     

Bartolome Esteban Murillo
Spanish 1618-1682 Bartolome Esteban Murillo Galleries Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception. After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others. . Related Artists to Bartolome Esteban Murillo: | Nicolas Neufchatel | Joseph Vivien | Barnaba Da Modena | George Shalders | Jean - Leon Gerome |

  

  

  

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