|
Sandro Botticelli Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
|
|
|
|
Painting ID:: 27044 Judith with the Head of Holofemes
1494-1496
Amsterdam,Rijksmuseum (mk57)
|
|
|
|
|
|
|
|
|
Painting ID:: 27045 Transfiguration,with St Jerome(at left) and St Augustine(at right)
c 1500
Rome,Galleria Pallavicini (mk57)
|
|
|
|
|
|
|
|
|
Painting ID:: 27046 Prayer in the Garden
1498-1500
Granada,Capilla de los Reyes (mk57)
|
|
|
|
|
|
|
|
|
Painting ID:: 27048 Mystic Nativity
1501
while and detail of embracing angels and men London,National Gallery (mk57)
|
|
|
|
|
|
|
|
|
Painting ID:: 27049 Crucifixion with the Penitent Magdalene and an Angel
1498-1500
Cambridge(MA),Fogg Art Museum (mk57)
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
. Related Artists to Sandro Botticelli: | Ludovike Simanowiz | Jules-Alexandre Grun | Francesco Maria Schiaffino | COECKE VAN AELST, Pieter | RIGAUD, Hyacinthe |
|
|