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Vincenzo Catena
Italian
c1480-1531
Vincenzo Catena Location
Italian painter. His paintings represent the perpetuation of the style of Giovanni Bellini into the second quarter of the 16th century. He made few concessions to the modern style that was being introduced to Venice by Titian, Palma Vecchio, Pordenone and others in the same period. This archaicizing tendency was shared by several minor Bellinesque painters of the period, including Pietro degli Ingannati, Pietro Duia, Francesco Bissolo, Vittore Belliniano and the Master of the Incredulity of St Thomas. Catena, together with Marco Basaiti, with whose works Catena are sometimes confused, can be considered the most accomplished of these. Despite the fact that he counted several humanists in his circle, the extant repertory of his subjects is limited to religious themes, mainly Marian and including three altarpieces, and to male portraits. The latter, as Vasari observed, include several of his finest works.
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Painting ID:: 355
The Supper at Emmaus
1520/30
Galleria degli Uffizi, Florence
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Painting ID:: 20200
Giangiorgio Trissino (mk05)
Canvas,28 1/2 x 25 1/4''(73 x 64 cm).Given to the Louvre in 1914
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Painting ID:: 28311
The Supper at Emmaus
mk60
Panel
51 3/16"x97 7/8in
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Painting ID:: 43034
A Muslim Warrior Adoring the Infant Christ and the Virgin
mk170
1520-1525
Oil on canvas
156.3x267.3cm
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Painting ID:: 43035
Saint Jerome in His Study
mk170
Circa 1510
Oil on canvas
75.9x98.4cm
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Vincenzo Catena
Italian
c1480-1531
Vincenzo Catena Location
Italian painter. His paintings represent the perpetuation of the style of Giovanni Bellini into the second quarter of the 16th century. He made few concessions to the modern style that was being introduced to Venice by Titian, Palma Vecchio, Pordenone and others in the same period. This archaicizing tendency was shared by several minor Bellinesque painters of the period, including Pietro degli Ingannati, Pietro Duia, Francesco Bissolo, Vittore Belliniano and the Master of the Incredulity of St Thomas. Catena, together with Marco Basaiti, with whose works Catena are sometimes confused, can be considered the most accomplished of these. Despite the fact that he counted several humanists in his circle, the extant repertory of his subjects is limited to religious themes, mainly Marian and including three altarpieces, and to male portraits. The latter, as Vasari observed, include several of his finest works.
. Related Artists to Vincenzo Catena: | Stanislaw Ignacy Witkiewicz | Jean-Baptiste Pater | Georges de La Tour | Domenico Feti | Cornelis Ketel |
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