|
|
Vincenzo Catena
Italian
c1480-1531
Vincenzo Catena Location
Italian painter. His paintings represent the perpetuation of the style of Giovanni Bellini into the second quarter of the 16th century. He made few concessions to the modern style that was being introduced to Venice by Titian, Palma Vecchio, Pordenone and others in the same period. This archaicizing tendency was shared by several minor Bellinesque painters of the period, including Pietro degli Ingannati, Pietro Duia, Francesco Bissolo, Vittore Belliniano and the Master of the Incredulity of St Thomas. Catena, together with Marco Basaiti, with whose works Catena are sometimes confused, can be considered the most accomplished of these. Despite the fact that he counted several humanists in his circle, the extant repertory of his subjects is limited to religious themes, mainly Marian and including three altarpieces, and to male portraits. The latter, as Vasari observed, include several of his finest works.
|
|
|
|
|
Painting ID:: 84582
Portrait of a Young Man
Date between 1505(1505) and 1510(1510)
Medium Oil on wood
Dimensions Height: 31 cm (12.2 in). Width: 24 cm (9.4 in).
cjr
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 88060
Portrait of the Doge, Andrea Gritti
Oil on canvas
Dimensions Height: 97.2 cm (38.3 in). Width: 79.4 cm (31.3 in).
cjr
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 88445
Portrait of a Young Man
between 1505(1505) and 1510(1510)
Medium Oil on wood
cyf
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 90118
Portrait of humanist Gian Giorgio Trissino
1510(1510)
Medium Oil on canvas
Dimensions 28 3/8 x 25 inches (72.14 x 63.50 cm)
cjr
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 90881
A Warrior adoring the Infant Christ and the Virgin
oil on canvas
Dimensions Height: 155.3 cm (61.1 in). Width: 263.5 cm (103.7 in).
cjr
|
|
|
|
|
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Vincenzo Catena
Italian
c1480-1531
Vincenzo Catena Location
Italian painter. His paintings represent the perpetuation of the style of Giovanni Bellini into the second quarter of the 16th century. He made few concessions to the modern style that was being introduced to Venice by Titian, Palma Vecchio, Pordenone and others in the same period. This archaicizing tendency was shared by several minor Bellinesque painters of the period, including Pietro degli Ingannati, Pietro Duia, Francesco Bissolo, Vittore Belliniano and the Master of the Incredulity of St Thomas. Catena, together with Marco Basaiti, with whose works Catena are sometimes confused, can be considered the most accomplished of these. Despite the fact that he counted several humanists in his circle, the extant repertory of his subjects is limited to religious themes, mainly Marian and including three altarpieces, and to male portraits. The latter, as Vasari observed, include several of his finest works.
. Related Artists to Vincenzo Catena: | Hugh Bolton Jones | Juliusz Kossak | Lionel Percy Smythe,RA,RWS | BOCCACCINO, Camillo | Chandler Winthrop |
|
|
