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Carlo Crivelli
1430-1495
Italian
Carlo Crivelli Locations
1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.
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Painting ID:: 669
Annunciation with Saint Emidius
1486
National Gallery, London
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Painting ID:: 670
Lamentation over the Dead Christ
1485
Museum of Fine Arts, Boston
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Painting ID:: 671
Madonna and Child Enthroned with a Donor
1470
National Gallery of Art, Washington DC
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Painting ID:: 672
St.James of Marche with Two Kneeling Donors
Musee du Louvre, Paris
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Painting ID:: 673
St.Roch
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Carlo Crivelli
1430-1495
Italian
Carlo Crivelli Locations
1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.
. Related Artists to Carlo Crivelli: | Jean Barbault | Christian Stocklin | Emanuel de Witte | Claude Lorrain | Hermann Nigg |
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