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Carlo Crivelli
1430-1495
Italian
Carlo Crivelli Locations
1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.
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Painting ID:: 58511
Annunciation with St. Emidius
Annunciation with St. Emidius (1486)
207x146,5 cm National Gallery, London.
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Painting ID:: 58512
Crivelli 1476 painting of Saint Stephen
Crivelli's 1476 painting of Saint Stephen, with three stones and the martyrs' palm.
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Painting ID:: 58514
Crivelli
Crivelli's 1480 painting of Madonna_and_Child, at Metropolitan Museum of Art, New York City.
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Painting ID:: 84866
St James of the Marches with Two Kneeling Donors
Dimensions Height: 198 cm (78 in). Width: 64 cm (25.2 in).
Medium English: oil on wood
Date 1477
cjr
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Painting ID:: 85742
Pieta
Date second half of 15th century
Medium Oil on wood
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Carlo Crivelli
1430-1495
Italian
Carlo Crivelli Locations
1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.
. Related Artists to Carlo Crivelli: | Georges Buysse | Markus Pernhart | Bernard Blommers | John Thomson | Gabriel Jacques de Saint-Aubin |
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