John Martin Oil Painting Reproduction


All John Martin Oil Paintings


 

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John Martin
British 1789-1854 John Martin Gallery His first exhibited subject picture, Sadak in Search of the Waters of Oblivion (now in the St. Louis Art Museum), was hung in the Ante-room of the Royal Academy in 1812, and sold for fifty guineas. It was followed by the Expulsion (1813), Paradise (1813), Clytie (1814), and Joshua Commanding the Sun to Stand Still upon Gibeon (1816). In 1821 appeared his Belshazzar's Feast, which excited much favorable and hostile comment, and was awarded a prize of £200 at the British Institution, where the Joshua had previously carried off a premium of £100. Then came the Destruction of Herculaneum (1822), the Creation (1824), the Eve of the Deluge (1841), and a series of other Biblical and imaginative subjects. The Plains of Heaven is thought to reflect his memories of the Allendale of his youth. Martin's large paintings were inspired by "contemporary dioramas or panoramas, popular entertainments in which large painted cloths were displayed, and animated by the skilful use of artificial light. Martin has often been claimed as a forerunner of the epic cinema, and there is no doubt that the pioneer director D. W. Griffith was aware of his work." In turn, the diorama makers borrowed Martin's work, to the point of plagiarism. A 2000-square-foot version of Belshazzar's Feast was mounted at a facility called the British Diorama in 1833; Martin tried, but failed, to shut down the display with a court order. Another diorama of the same picture was staged in New York City in 1835. These dioramas were tremendous successes with their audiences, but wounded Martin's reputation in the serious art world.



John Martin The Last Man oil painting artist
  Painting ID::   67010
The Last Man
1849 Oil on canvas


 

 

 

 

 

 

 

 

John Martin The Seventh Plague oil painting artist
  Painting ID::   67011
The Seventh Plague
Oil on canvas 144.1 x 214 cm 1823


 

 

 

 

 

 

 

 

John Martin The Last Judgement oil painting artist
  Painting ID::   67767
The Last Judgement
1853 Oil on canvas 1968 x 3258 mm


 

 

 

 

 

 

 

 

John Martin the great day of his wrath oil painting artist
  Painting ID::   68860
the great day of his wrath
1851-3 oil on canvas 196.5x303.2cm se


 

 

 

 

 

 

 

 

John Martin The Last Man oil painting artist
  Painting ID::   70231
The Last Man
Medium Oil on canvas Dimensions


 

 

 

 

 

 

 

 


       Prev  1  2  3  4  5  6  7  8   Next
Prev Artist       Next Artist     

John Martin
British 1789-1854 John Martin Gallery His first exhibited subject picture, Sadak in Search of the Waters of Oblivion (now in the St. Louis Art Museum), was hung in the Ante-room of the Royal Academy in 1812, and sold for fifty guineas. It was followed by the Expulsion (1813), Paradise (1813), Clytie (1814), and Joshua Commanding the Sun to Stand Still upon Gibeon (1816). In 1821 appeared his Belshazzar's Feast, which excited much favorable and hostile comment, and was awarded a prize of £200 at the British Institution, where the Joshua had previously carried off a premium of £100. Then came the Destruction of Herculaneum (1822), the Creation (1824), the Eve of the Deluge (1841), and a series of other Biblical and imaginative subjects. The Plains of Heaven is thought to reflect his memories of the Allendale of his youth. Martin's large paintings were inspired by "contemporary dioramas or panoramas, popular entertainments in which large painted cloths were displayed, and animated by the skilful use of artificial light. Martin has often been claimed as a forerunner of the epic cinema, and there is no doubt that the pioneer director D. W. Griffith was aware of his work." In turn, the diorama makers borrowed Martin's work, to the point of plagiarism. A 2000-square-foot version of Belshazzar's Feast was mounted at a facility called the British Diorama in 1833; Martin tried, but failed, to shut down the display with a court order. Another diorama of the same picture was staged in New York City in 1835. These dioramas were tremendous successes with their audiences, but wounded Martin's reputation in the serious art world. . Related Artists to John Martin: | Marten Pepijn | Vittorio Matteo Corcos | Barbara Bodichon | Jenaro Perez Villaamil | Henri Delavallee |

  

  

  

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