John Martin Oil Painting Reproduction


All John Martin Oil Paintings


 

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John Martin
British 1789-1854 John Martin Gallery His first exhibited subject picture, Sadak in Search of the Waters of Oblivion (now in the St. Louis Art Museum), was hung in the Ante-room of the Royal Academy in 1812, and sold for fifty guineas. It was followed by the Expulsion (1813), Paradise (1813), Clytie (1814), and Joshua Commanding the Sun to Stand Still upon Gibeon (1816). In 1821 appeared his Belshazzar's Feast, which excited much favorable and hostile comment, and was awarded a prize of £200 at the British Institution, where the Joshua had previously carried off a premium of £100. Then came the Destruction of Herculaneum (1822), the Creation (1824), the Eve of the Deluge (1841), and a series of other Biblical and imaginative subjects. The Plains of Heaven is thought to reflect his memories of the Allendale of his youth. Martin's large paintings were inspired by "contemporary dioramas or panoramas, popular entertainments in which large painted cloths were displayed, and animated by the skilful use of artificial light. Martin has often been claimed as a forerunner of the epic cinema, and there is no doubt that the pioneer director D. W. Griffith was aware of his work." In turn, the diorama makers borrowed Martin's work, to the point of plagiarism. A 2000-square-foot version of Belshazzar's Feast was mounted at a facility called the British Diorama in 1833; Martin tried, but failed, to shut down the display with a court order. Another diorama of the same picture was staged in New York City in 1835. These dioramas were tremendous successes with their audiences, but wounded Martin's reputation in the serious art world.



John Martin The Bard oil painting artist
  Painting ID::   73517
The Bard
Date ca. 1817 Medium Oil on canvas Dimensions 127 X 102 cm (50 X 40.16 in) cyf


 

 

 

 

 

 

 

 

John Martin Pandemonium - One out of a set of mezzotints with the same title oil painting artist
  Painting ID::   74134
Pandemonium - One out of a set of mezzotints with the same title
Pandemonium - One out of a set of mezzotints with the same title Between 1823 and 1827


 

 

 

 

 

 

 

 

John Martin Macbeth oil painting artist
  Painting ID::   75142
Macbeth
"Macbeth" (circa 1820). National Gallery of Scotland, Edinburgh. cyf


 

 

 

 

 

 

 

 

John Martin Portrait of Catherine Parr oil painting artist
  Painting ID::   77598
Portrait of Catherine Parr
ca. 1545(1545) Medium Oil on panel Dimensions 180.3 ?? 94 cm (71 ?? 37 in) cyf


 

 

 

 

 

 

 

 

John Martin The Eve of the Deluge oil painting artist
  Painting ID::   79028
The Eve of the Deluge
1840(1840) Oil on canvas Width: 218 cm (85.8 in). Height: 143 cm (56.3 in). cjr


 

 

 

 

 

 

 

 


       Prev  2  3  4  5  6  7  8   Next
Prev Artist       Next Artist     

John Martin
British 1789-1854 John Martin Gallery His first exhibited subject picture, Sadak in Search of the Waters of Oblivion (now in the St. Louis Art Museum), was hung in the Ante-room of the Royal Academy in 1812, and sold for fifty guineas. It was followed by the Expulsion (1813), Paradise (1813), Clytie (1814), and Joshua Commanding the Sun to Stand Still upon Gibeon (1816). In 1821 appeared his Belshazzar's Feast, which excited much favorable and hostile comment, and was awarded a prize of £200 at the British Institution, where the Joshua had previously carried off a premium of £100. Then came the Destruction of Herculaneum (1822), the Creation (1824), the Eve of the Deluge (1841), and a series of other Biblical and imaginative subjects. The Plains of Heaven is thought to reflect his memories of the Allendale of his youth. Martin's large paintings were inspired by "contemporary dioramas or panoramas, popular entertainments in which large painted cloths were displayed, and animated by the skilful use of artificial light. Martin has often been claimed as a forerunner of the epic cinema, and there is no doubt that the pioneer director D. W. Griffith was aware of his work." In turn, the diorama makers borrowed Martin's work, to the point of plagiarism. A 2000-square-foot version of Belshazzar's Feast was mounted at a facility called the British Diorama in 1833; Martin tried, but failed, to shut down the display with a court order. Another diorama of the same picture was staged in New York City in 1835. These dioramas were tremendous successes with their audiences, but wounded Martin's reputation in the serious art world. . Related Artists to John Martin: | dierec bouts | Francesco Albani | Nikolai Petrovitch Bogdanov-Belsky | Michau, Theobald | MEI, Bernardino |

  

  

  

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