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Dyck, Anthony van
Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses,
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Painting ID:: 82825
Selbstportrat als Paris
1628
Medium Oil on canvas
Dimensions 96 x 84 cm (37.8 x 33.1 in)
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Painting ID:: 83658
Probably portrait of James II
Oil on panel Öl auf Holz
Dimensions 31 x 26 cm (12.2 x 10.2 in)
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Painting ID:: 85341
James Hay
oil on canvas
204.5 x 126 cm
Date c. 1638
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Painting ID:: 85367
Caesar Alexander Scaglia
1634(1634)
Medium Oil on canvas
Dimensions 189 x 110 cm (74.4 x 43.3 in)
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Painting ID:: 97204
Portrait of Maria Luiza Panasco
circa 1843(1843)
Medium oil on canvas
Dimensions 81.6 X 65.2 cm
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Dyck, Anthony van
Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses,
. Related Artists to Dyck, Anthony van: | John William Waterhouse | John William Inchbold | Jan van Huijsum | ASSELYN, Jan | PELLEGRINI, Giovanni Antonio |
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