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Dyck, Anthony van
Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses,
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Painting ID:: 78636
Portrait of Venetia, Lady Digby
1633-1634
Medium Oil on canvas
Dimensions 101.1 x 80.2 cm (39.8 x 31.6 in)
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Painting ID:: 79219
Portrat der Marchesa Balbi
ca. 1625(1625)
Medium Oil on canvas
Dimensions 183 x 122 cm (72 x 48 in)
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Painting ID:: 79633
Portrat der Elisabeth oder Theresia Shirley in orientalischer Kleidung
1622(1622)
Medium Oil on canvas
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Painting ID:: 80729
Mary Stewart
ca. 1636(1636)
Medium Oil
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Painting ID:: 82751
Portrat Karl des I
1635-1636
Medium Oil on canvas
Dimensions 85 x 100 cm
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Dyck, Anthony van
Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses,
. Related Artists to Dyck, Anthony van: | Louise von Panhuys | Mount, Shepard Alonzo | Carducci, Bartolommeo | Adolf Von Meckel | Robert Peckham |
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