|
|
Dyck, Anthony van
Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses,
|
|
|
|
|
Painting ID:: 19008
The Penitent Apostle Peter
1617-18
oil on panel
The Hermitage, St. Petersburg
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 19009
Head of a Robber
1617-1618
oil on canvas
Art History Museum, Vienna
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 19010
Young Woman with a Child
1618
oil on panel
The Hermitage, St. Petersburg
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 19011
The Lamentation
1618-20
oil on canvas
Art History Museum, Vienna
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 19012
Apostle Jude
1619-21
Art History Museum, Vienna
|
|
|
|
|
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Dyck, Anthony van
Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses,
. Related Artists to Dyck, Anthony van: | Ferdinand Keller | VOS, Cornelis de | Domingos Sequeira | Labille-Guiard, Adelaide | Hermann David Solomon Corrodi |
|
|
