|
Jean-Auguste Dominique Ingres French Neoclassical Painter, 1780-1867
was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy.
A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
|
|
|
|
Painting ID:: 53225 Portrait of henli
mk227
Oil on canvas
218x131cm
|
|
|
|
|
|
|
|
|
Painting ID:: 53226 Portrait of Yake
mk227
121x95cm
1832
|
|
|
|
|
|
|
|
|
Painting ID:: 53276 Portrait of Lady
mk227
146.7x100.3cm
1851
|
|
|
|
|
|
|
|
|
Painting ID:: 53277 Portrait of Felibi
mk227
oil on canvas
115x90cm
1804-1805
|
|
|
|
|
|
|
|
|
Painting ID:: 53278 Miss Kalolin
mk227
oil on canvas
99.5x64.5cm
1806
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Jean-Auguste Dominique Ingres
French Neoclassical Painter, 1780-1867
was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy.
A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
. Related Artists to Jean-Auguste Dominique Ingres: | Lycett, Joseph | Simone Cantarini,Called Il Pesarese | Thornton Oakley | Axel Haig | Constance Marie Charpentier |
|
|