|
Jean-Auguste Dominique Ingres French Neoclassical Painter, 1780-1867
was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy.
A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
|
|
|
|
Painting ID:: 53279 Yusefu
mk227
oil on canvas
75.2x58.1cm
1810
|
|
|
|
|
|
|
|
|
Painting ID:: 53280 Makete
mk227
oil on canvas
93.7x69.4cm
1810
|
|
|
|
|
|
|
|
|
Painting ID:: 53281 Portrait of Fulong
mk227
55x46cm
Oil on canvas
|
|
|
|
|
|
|
|
|
Painting ID:: 53282 Portrait of Pier
mk227
Oil on canvas
64.8x54.5cm
|
|
|
|
|
|
|
|
|
Painting ID:: 53283 Bather
mk227
Oil on canvas
116x82cm
1808
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Jean-Auguste Dominique Ingres
French Neoclassical Painter, 1780-1867
was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy.
A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
. Related Artists to Jean-Auguste Dominique Ingres: | Eugenio Landesio | Willem van Bemmel | Bierstadt, Albert | Edwin Lord Weeks | Victor Gilbert |
|
|