|
Jean-Auguste Dominique Ingres French Neoclassical Painter, 1780-1867
was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy.
A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
|
|
|
|
Painting ID:: 53268 Maeki
mk227
Oil on canvas
1811
|
|
|
|
|
|
|
|
|
Painting ID:: 53299 Self-Portrait
mk227
oil on canvas
86.4x69.9cm
1804
|
|
|
|
|
|
|
|
|
Painting ID:: 53300 Portrait of man
mk227
Oil on canvas
1834
|
|
|
|
|
|
|
|
|
Painting ID:: 53301 Portrait of Yakilusi
mk227
Oil on canvas
121x95cm
1832
|
|
|
|
|
|
|
|
|
Painting ID:: 53864 La Grande Baigneuse
mk234
1808
146x97cm
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Jean-Auguste Dominique Ingres
French Neoclassical Painter, 1780-1867
was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy.
A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
. Related Artists to Jean-Auguste Dominique Ingres: | Carl Rahl | Georg Flegel | Louis Abrahams | Arkhip Kuinji | Lajos Gulacsy |
|
|