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CIMA da Conegliano
Italian Painter, ca.1459-1517
Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
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Painting ID:: 6041
Madonna Enthroned with the Child, St Francis and four Angels (detail) sd
1278-80
Fresco, 73 x 60 cm (full painting: 320 x 340 cm)
Lower Church, San Francesco, Assisi
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Painting ID:: 29131
Annunciation
mk65
1495
Tempera and oil on canvas
transferred from panel
54x42"
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Painting ID:: 29805
Madonna and Child
mk67
Tempera on panel
26x22 7/16in
Uffizi,Gallery
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Painting ID:: 29806
St.Jerome in the Desert
mk67
Panel
13x10 7/8in
Pitti,Meridiana
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Painting ID:: 32613
Recreation by our Gallery
mk79
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CIMA da Conegliano
Italian Painter, ca.1459-1517
Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
. Related Artists to CIMA da Conegliano: | Francis Holman | HEEM, Jan Davidsz. de | DAVID, Gerard | Angelika Kauffmann | Ivan Berezin |
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