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CIMA da Conegliano
Italian Painter, ca.1459-1517
Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
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Painting ID:: 89301
The Annunciation
1495(1495)
Medium Tempera and oil on canvas transferred from wood
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Painting ID:: 89738
Madonna of the Orange Tree
1495(1495)
Medium tempera and oil on panel
Dimensions Height: 212 cm (83.5 in). Width: 139 cm (54.7 in).
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Painting ID:: 89976
Coronation of the Virgin
second half of 15th century
Medium oil on canvas
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Painting ID:: 90039
St Christopher with the Infant Christ and St Peter
oil on poplar
Dimensions Height: 73 cm (28.7 in). Width: 56 cm (22 in).
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Painting ID:: 91176
Incredulity of St Thomas with Bishop Magno
1505(1505)
Medium tempera and oil on panel
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CIMA da Conegliano
Italian Painter, ca.1459-1517
Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
. Related Artists to CIMA da Conegliano: | Thomas Nast | Paul Bril | natalia goncharova | Thomas De Keyser | Gunnar aberg |
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