|
CIMA da Conegliano Italian Painter, ca.1459-1517
Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
|
|
|
|
Painting ID:: 41204 Baptism of Christ
mk157
1493-94
Wood
210x350cm
|
|
|
|
|
|
|
|
|
Painting ID:: 42914 The Virgin and Child
mk170
1495-1500
Oil on wood
69.2x57.2cm
|
|
|
|
|
|
|
|
|
Painting ID:: 53708 Sta Helena
mk234
about 1495
40x32.5cm
|
|
|
|
|
|
|
|
|
Painting ID:: 58145 St. Jerome in the wilderness
mk261 Florence, Ukrainian Fiji art museum
|
|
|
|
|
|
|
|
|
Painting ID:: 68290 Hieronymus in einer Landschaft
Technique Oil on panel
Dimensions Deutsch: 32 ?? 25,5 cm
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
CIMA da Conegliano
Italian Painter, ca.1459-1517
Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
. Related Artists to CIMA da Conegliano: | Josef Schmitz | cesar franck | Pericles Pantazis | Werner van den Valckert | llya Yefimovich Repin |
|
|