|
|
DYCK, Sir Anthony Van
Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;
|
|
|
|
|
Painting ID:: 6525
Portrait of Philadelphia and Elisabeth Cary fg
1635-38
Oil on canvas, 162 x 130 cm
The Hermitage, St. Petersburg
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 6526
Charles I of England and Henrietta of France dfg
Oil on canvas
Galleria Palatina (Palazzo Pitti), Florence
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 6527
Portrait of a Married Couple dfh
Oil on canvas, 112 x 131 cm
Museum of Fine Arts, Budapest
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 6528
The Wife and Daughter of Colyn de Nole fg
Oil on wood, 123 x 90,5 cm
Alte Pinakothek, Munich
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 6529
Sir Endymion Porter and the Artist dfh
1632-41
Oil on canvas, 110 x 114 cm
Museo del Prado, Madrid
|
|
|
|
|
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
DYCK, Sir Anthony Van
Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;
. Related Artists to DYCK, Sir Anthony Van: | LINARD, Jacques | johan krouthen | Hogers, Jacob | Church Henry | Andrea Sacchi |
|
|
