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DYCK, Sir Anthony Van
Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;
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Painting ID:: 6540
Golgotha gjk
1630
Oil on canvas
Sint-Michielskerk, Ghent
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Painting ID:: 6541
Blessed Joseph Hermann g
1629
Oil on canvas, 160 x 128 cm
Kunsthistorisches Museum, Vienna
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Painting ID:: 6542
Jupiter and Antiope dfg
Oil on canvas, 150 x 206 cm
Museum voor Schone Kunsten, Ghent
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Painting ID:: 6543
The Lamentation of Christ fg
Oil on canvas, 115 x 208 cm
Koninklijk Museum voor Schone Kunsten, Antwerp
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Painting ID:: 6544
St Martin Dividing his Cloak f
c. 1618
Oil on panel, 171,6 x 158 cm
St Martin, Zaventem
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DYCK, Sir Anthony Van
Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;
. Related Artists to DYCK, Sir Anthony Van: | PISANELLO | Francois Bonvin | Marie Ellenrieder | Lemaire, Jean | Daniel Schultz the Younger |
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