DYCK, Sir Anthony Van Oil Painting Reproduction
|
|
|
|
|
DYCK, Sir Anthony Van
Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;
|
|
|
|
|
Painting ID:: 24298
Charles I (mk25)
1636
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 32291
Equestrian Portrait of Charles I, King of England
1635-40
Oil on canvas, 123 x 85 cm
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 32292
Diana Cecil, Countess of Oxford
1638
Oil on canvas, 107 x 86 cm
|
|
|
|
|
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
DYCK, Sir Anthony Van
Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;
. Related Artists to DYCK, Sir Anthony Van: | Samuel Finley Breese Morse | OUDRY, Jean-Baptiste | John Dalbiac Luard | Martin van Meytens | Paolo Antonio Barbieri |
|
|
|
|
