|
|
Canaletto
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
|
|
|
|
|
Painting ID:: 22748
Basilica di Vicenza e ponte di Rialto (mk21)
1740-1744
Olio su tela 60.5 x 82 cm
Galleria Nazionale Parma
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 22749
Paesaggio con rovine (mk21)
1740
Olio su tela 116 x 166 cm
Palazzo Vecchio,Firenze
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 22750
Interno della rotonda di Ranelagh (Londra) (mk21)
1754
Olio su tela,46 x 75.5 cm
The National Gallery,Londra
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 22751
Visita del doge alla chiesa di S Rocco (mk21)
1735 ca Olia su tela 147 x 199 cm
The National Gallery,Londra
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 22752
Campo di Rialto (mk21)
1756 ca
Olio su tela,119 x 186 cm
Gemaldegalerie,Staatliche Museen zu Berlin-Preuischer Kulturbesitz,Berlino(Prestito della Fondazione Streit)
|
|
|
|
|
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Canaletto
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
. Related Artists to Canaletto: | Alexandre Roubtzoff | John Singleton Copley | Lebasque, Henri | Pietro Graziani | Charlotte Wahlstrom |
|
|
