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Canaletto
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
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Painting ID:: 22774
Campo S.Rocco (mk21)
dopo il 1730
Olio su tela 47 x 80 cm
Collezione privata,Woburn Abbey Art Gallery,Woburn
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Painting ID:: 22775
Jan Vermeer van Delf Veduta di Delft (mk21)
1660 -1661 ca
Olio su tela 96.5 x 115.7 cm
Koninklik Kabinet van schilderijen Mauritshuis,L'Aja
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Painting ID:: 22776
Il Ponte dell'Arsenale (mk21)
dopo il 1730
Olio su tela,47 x 78 cm
Collezione privata,Woburn Abbey Art Gallery,Woburn
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Painting ID:: 22777
La Piazzetta e il Palazzo Kucale dal bacino di S.Marco (mk21)
1735-1740
Olio su tela 40 x 80 cm
Collezione Privata,Woburn Abbey Art Gallery,Woburn
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Painting ID:: 22778
Il Canal Grande Balbi (mk21)
1723-1725
Olio su tela 144 x 207 cm
Museo del Settecento Veneziano,Ca'Rezzonico,Venezia
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Canaletto
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
. Related Artists to Canaletto: | LIPPI, Filippino | Jacob de Gheyn II | John Ponsford | Ivan Aivazovski | Raimundo de Madrazo y Garreta |
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