|
|
Canaletto
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
|
|
|
|
|
Painting ID:: 22779
Ricevimento del'ambasciatore imperiale al palazzo Ducale (mk21)
Olio su tela,184 x 265 cm
Collezione Aldo Crespi,Milano
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 22780
Il ricevimento del'ambasciatore francese al Palazzo Ducale (mk21)
1727-1729
Olio su tela,181 x 259 cm
Eremitage,San Pietroburgo
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 22781
Ritorno del bucintoro al Molo nel giorno dell'Ascensione dopo Il (mk21)
1729
Olio su tela 187 x 259 cm
Museo A.S.Puskin,Mosca
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 22782
Regata sul Canal Grande (mk21)
1733-1734
Olio su tela.77.2 x 125.7 cm
Royal Collection.Windsor Castle,Windsor
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Painting ID:: 24083
Rome Ruins of the Forum looking towards the Capitol (mk25)
1742
|
|
|
|
|
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Canaletto
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
. Related Artists to Canaletto: | Joseph Stieler | Alfred Sacheverell Coke | Dosso Dossi | Bernardus Accama | Gian Emilio Malerba |
|
|
