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Canaletto
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
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Painting ID:: 22758
La Chiesa e la scuola della Carita,dal laboratorio di marmi di S.Vitale (mk21)
1725-1726
Olio su tela,124 x 1726
Olio su tela,124 x 163 cm
The National Gallery,Londra
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Painting ID:: 22762
Fonteghetto della farina (mk21)
1727-1729
Olio su tela,66 x 112 cm
Raccolta Giustiniani Recanati,Venezia
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Painting ID:: 22763
Piazza S.Marco con la basilica di fronte (mk21)
1723 ca
Olio su tela,140.5 x 204.5 cm
Museo Thyssen-Bornemisza,Madrid
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Painting ID:: 22764
Northumberland House a Londra (mk21)
1752
Olio su tela,84 x 137 cm
Collezione del Duca di Northumberland,Londra
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Painting ID:: 22766
Paesaggio con rovine (mk21)
1740
Olio su tela 87.5 x 120.5 cm
Palazzo Vecchio,Firenze
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Canaletto
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
. Related Artists to Canaletto: | j. f. willumsen | JONES, Thomas | Henry Clarence Whaite | Albert Baertsoen | Oswald achenbach |
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