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CIMA da Conegliano
Italian Painter, ca.1459-1517
Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
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Painting ID:: 6027
The Annunciation dfg
1495
Tempera and oil on canvas transferred from wood, 136,5 x 107 cm
The Hermitage, St. Petersburg
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Painting ID:: 6028
The Annunciation (detail) dsg
1495
Tempera and oil on canvas transferred from wood
The Hermitage, St. Petersburg
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Painting ID:: 6029
St. Helena sdgdf
1495
Panel
National Gallery of Art, Washington
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Painting ID:: 6030
Madonna of the Orange Tree dfg
c. 1495
Tempera and oil on panel, 12 x 139 cm
Gallerie dell'Accademia, Venice
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Painting ID:: 6031
Madonna Enthroned with the Child dfg
Panel
Galleria Nazionale, Parma
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CIMA da Conegliano
Italian Painter, ca.1459-1517
Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
. Related Artists to CIMA da Conegliano: | Louis Hayet | Pierre Albert Marquet Prints | Jacques-Eugene Feyen | Percy Lindsay | James Shannonc |
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