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DYCK, Sir Anthony Van
Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;
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Painting ID:: 6549
Portrait of Pieter Bruegel the Younger dfg
Pen drawing
Teylers Museum, Haarlem
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Painting ID:: 6516
Portrait of a Member of the Balbi Family
c. 1625
Oil on canvas, 132,7 x 120 cm
Cincinnati Art Museum, Cincinnati
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Painting ID:: 6517
Charles I: King of England at the Hunt drh
1635
Oil on canvas
Mus??e du Louvre, Paris
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Painting ID:: 6518
Charles I on Horseback fg
c. 1635
Oil on canvas, 365 x 289 cm
National Gallery, London
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Painting ID:: 6519
Portrait of a Young General dfgj
1622-27
Oil on canvas, 115,5 x 104 cm
Kunsthistorisches Museum, Vienna
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DYCK, Sir Anthony Van
Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;
. Related Artists to DYCK, Sir Anthony Van: | CARPACCIO, Vittore | catalan school | John William Inchbold | Grunewald, Matthias | Miel, Jan |
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